Monthly Archives: June 2013

Mad Men: Season 6 Finale

SONIA BRAND-FISHER: Season Six of “Mad Men” has gained the notorious reputation for starting and stopping story lines without developing them in ways that reveal and decode its enigmatic characters. The finale, therefore, had to somehow tie up all of the loose ends of the season so we could be satisfied going into what will be the final season of “Mad Men.” The audience wants a climax, some resolution, or potentially a revelation. Instead, we had a fast-paced, at times absurdist finale that awkwardly stitched up some of the dangling plot points, while simultaneously seeing Don Draper fall apart at the seams. I had to let go of wanting that elusive climax and resolution, because in fact that’s not always how life works. And when that happened, I saw the best season finale of “Mad Men” to date.

NAVA BRAHE: Although I agree with everything Sonia said, I still need to indulge my inner cynic and say that everything Don did in the conference room during the last two episodes was a direct result of his not being able to let go of his irretrievably screwed up youth. Tugging at the heartstrings of the St. Joseph’s Aspirin and Hershey’s people was the most spectacular manipulation, and really dirty pool.

HOWARD MEGDAL: Seeing Don Draper stop lying was a fascinating way to end Season Six. And I would be remiss not to point out the shot of Peggy, her back to the camera, finally in charge at SC&P in a visual tableau obviously meant as an homage to the Mad Men logo itself. Continue reading

Posted in Arts & Culture | Tagged , , , , , , , | 1 Comment

James Gandolfini Remembered

NAVA BRAHE: When The Sopranos premiered on HBO in January 1999, it was a very interesting time in my life.

HOWARD MEGDAL: Well said, Nava, and I don’t disagree with any of it. I just wanted to add my thoughts on just how much range I believe Gandolfini had as an actor, above and beyond the extraordinary set of emotions he deployed as Tony Soprano. Continue reading

Posted in Arts & Culture | Tagged , , , | Comments Off

Mad Men: Week 10 in Review

SONIA BRAND-FISHER: Ok… so that last episode of “Mad Men” was kind of a lot. With the many moving parts of discovering (kinda?) the mystery behind Bob Benson (who I’m still in love with), to Sally’s terrible track record with walking in on people during sex, to the whole enormous mess of Vietnam, this episode stands apart from the blur of this season as potentially cataclysmic.

NAVA BRAHE: Is it possible that Don fought so hard to keep Mitchell Rosen from being drafted because he feels incredibly guilty about screwing around with his mother? There is something about Don’s relationship with Arnold that is endearing, because Arnold is the only person Don seems capable of offering any empathy to. Continue reading

Posted in Arts & Culture | Tagged , | Comments Off

Mad Men: Week 9 in Review

SONIA BRAND-FISHER: At the end of this week’s episode of “Mad Men,” Janis Joplin roars to “Take it, take another piece of my heart now, baby. You know you’ve got it if it makes you feel good.” A perfect choice of song to end this episode concerning desire and not really knowing if you’ve got “it,” “A Tale of Two Cities” shows us, baby, “that a woman can be tough.”

NAVA BRAHE: Like Sonia, I too, am rooting for Joan, because she embodies the ongoing struggle of women in the workforce, and the reams of unpleasant innuendos many must put up with in order to co-exist with men. Yes, Joan has made her mistakes, the biggest of which she is constantly reminded of by Pete. Yet, she soldiers on knowing that it could have been much worse had she continued to languish in a bad marriage.
HOWARD MEGDAL: Leaving aside whether the Sunset Boulevard Don Draper tableau was foreshadowing or present state of mind, there are no shortage of dynamics at play here this week. Continue reading

Posted in Arts & Culture | Tagged , | Comments Off